Archive for the ‘events’ tag
Coming off of I-77 and heading downtown on Saturday gave a really stunning view of Charlotte's downtown. The sky was dotted with puffy clouds and the skyscrapers were laid out almost artistically. I really wish I could have pulled over and gotten a shot.
I was headed to the Convention Center for this years iteration of Charlotte's Heroes Convention which I have been checking out out over the years as often as I could since the days when it was a few meeting rooms at the old Holiday Inn on Woodlawn.
This year, I didn't attend any of the panels as it took all of my time just to completely canvas the main show floor. My impression is that Guardians Of The Galaxy is a new hit with costumers, though there was no single theme for the majority of costumes. I think I did notice a bit of fall-off in the Frozen costumes since Amelia Con. Stan Lee was there for photo-shoots, but the line was so long that I didn't attempt to see him. There were plenty of other creators there as well, and I bought a number of indie books for myself and my nieces, more than I've scanned below.
Anyway, it's not a bad drive (I-77 seemed a little less pot-holed this time) and there's a reasonable nearby lot, so if you get the chance next year, I recommend you check it out.
I last visited the South Carolina Railroad Museum about seven years ago for one of their steam train excursions and it was definitely a fun trip. When I saw the ad in The Free Times for this year's Easter Bunny Eggspress, I thought it looked like time to go again (although the Express is not a steam train).
The museum is easily accessible from I-77 and has a variety of interesting rolling stock on exhibit, most of which I did not get a chance to take pictures of. Obviously the highlight of the current event is a ride down several miles of the museum's own track (technically part of their railroad, Rockton, Rion and Western Railroad which extends several miles from the museum. The trip includes a gate crossing across a fairly major road, some nice rural scenes, a view of the abandoned Mack plant (which used to be served by the line) and a terminus at a small grassy recreation area near the old school.
On hand to great the train were the Easter Bunny, face painters, fair food and some Easter themed arts and crafts.
The terminus includes a switch and spur so two trains can pull in at once. There is no turnaround, so the return trip is in reverse. The rolling stock was rather interesting. As you can see, there was an open air car, which was supposed to be the attraction, but as the weather turned so cold was actually not as practical as it might otherwise have been. The enclosed cars had done service in Canada, and though I barely had time to read the plaque, I believe they were Budd Rail Deisel Cars. I had wondered about the high voltage warnings under the cars, which didn't seem to make sense for a non-third-rail train, but it turns out that Budd cars were intended for low volume routes where the car would be its own engine. I doubt that hardware still works on these cars, but its an interesting bit of history, which is why, I suppose, one has a railroad museum..
Anyway, the Eggspress will be running next Saturday, 4 April 2015, and its a nice little trip. Also, the steam train will be back in April.
Falling, falling, falling..
It may seem strange to the under 50 crowd at this remove, but it's pretty much impossible to overstate what an incredible influence Fleetwood Mac's Rumours album had when I was in the last years of high school. Almost every track was on the radio at one time or another, and everybody had a copy. I would have had one, but I was dead broke at the time, so I somehow convinced my sister to spring for it. I taped her copy to cassette and it was in constant rotation with my Beach Boys albums in my jury rigged car player (which would reverse the tape and start playing the other "side" every time we hit a bump).
Rumours was the followup to the also very successful eponymous album Fleetwood Mac which established the band's "classic lineup". It was also the lead-in to the rather experimental Tusk which no doubt confused their legions of fans.
Over the years the band went through a lot of acrimony and romantic imbroglioes, with the fact that it was coed giving even more scope for feuding than even the Beach Boys "enjoyed".
Still, after all the dust settled, and after a sixteen year absence for Christine McVie, the classic lineup is back together and making music again.
I took the opportunity to see them in Charlotte, and everybody was in fine form, and looking and sounding pretty good for a bunch of 60 and 70 year olds. They played everything you would expect, and added a few new songs that, if not instant classics, were pretty good. As you can tell from the video and pix, I was *way* up in the nosebleed section, something I did not appreciate in the least while inching towards my seat like an action movie hero sidling along a window ledge over a twenty story drop. It was somewhat better once I actually had a seat, though as you can hear in the video, I fell in with a bunch of Chatty Cathys..
Anyway, it was a great show, and you should definitely catch them if you can.
As just a few random observations: It's amazing how bad a shape I-77 is in. It seemed like I was dodging huge ruts all the way to Charlotte. I don't remember that from my last trip in June, but it can't have gotten that bad that quick. Also, the parking garage at EpiCenter is the worst I've ever been in, like the old text based computer game "You are in a maze of twisty little passage all alike": It was amazingly hard to find the level changes rather than just driving by the same packed spaces again and again. Maybe I was "Over My Head"...
Brookgreen Gardens Nights Of A Thousand Candles 2014, Brookgreen Gardens: 13 December 2014 no comments
I got to Brookgreen a bit later than I had planned this year, and so did not hit all the spots I usually hit, but it was still a very nice evening out in the cold and lights. Actually, the weather was relatively moderate compared to some prior years -- I was able to hold my camera and adjust the controls without my fingers going numb. There is still an official ban on tripods, and I decided this year I wouldn't go for much in the way of "set the camera on something and do a time exposure" shots, so I cranked the ISO way up and took what I got, so I have to admit I've gotten better shots in previous years. I did play around with the in-camera HDR setting, and that's where some of the freaky green-lit exposures come from. Sometimes it did quite a good job of capturing both the lights and normal objects, and sometimes it didn't (I haven't used those spoiled shots here, obviously).
Getting in was a little quicker this year as they did not bring back the suboptimal secondary dirt road route they tried last year, although there was still quite a jam on US-17 (where I witnessed a fender-bender just as I finally got waved through). You still have three more chances to catch the lights this year on 18 December, 19 December and 20 December, and you really should if you are anywhere near the area.
Celtic band Cu Dubh.
So, I thought at first I had made a big mistake heading up to the Carolina Renaissance Festival last weekend. It was a cold and rainy Halloween when I hit the road, and I awoke Saturday to find out that Snowpocalypse had hit the Midlands while I was gone and that it was cold, rainy, wet and miserable in Huntersville.
Fortunately, although I had to use the wipers driving out to the festival grounds, but the time I got there, it had stopped raining and was just cold and miserable. Obviously the crowds were thin, but the performers gave it a good go and the sun finally did peek out during the late afternoon giving them (and me) some relief. Sunday, however was gorgeous, and all these pictures date from then.
It seemed to me that a good portion of the performers were back from last year, but there were some new faces as well. As before, everybody had a very polished and entertaining line of patter and were quick to improv as circumstances demanded. There are plenty of kid centric and family friendly shows as well as more ribald "loose cannon" performances for those of us a bit longer in the tooth.
The festival continues on weekends through 23 November and it's a great way to spend a (hopefully sunny!) Fall afternoon.
Well, what do you want me to say? It was the State Fair, and if you've followed these posts for a while, you know the kind of thing I like to take pictures of at the fair, so there won't be any surprises here.
Some changes that started last year seem to have stuck. In particular, the sand sculpture is still in the Ruff Building rather than the Ellison Building and the gray market videos and TELEVAC 8600 are still gone:
The pictures are from 12 October, which was an overcast day, though the temperature was nice. As the evening wore on, it started to spit rain a bit, and in fact more than a bit at times. That affected the skyride video this year. I was afraid it would really start coming down, so I took the video going west to east, rather than hoofing it back to the east and going the other way. That means that we're travelling away from the most visually interesting parts. I think the rain was also futzing with the autofocus of the camera a bit from time to time.
Many more pictures after the break.
It's a few months until the candles, but what better way to spend a gorgeous Fall weekend than out in the sun at Brookgreen Gardens Harvest Home Weekend? You can build a scarecrow, paint a pumpkin, make a birdfeeder, see butterflies up close and personal, gawk at extroverted otters and cruise past basking alligators.
If you don't happen to have children in tow, you could even look at some sculpture,
It wouldn't be September without the Greek Festival, and this weekend was one more chance to load up on baklava and Greek arts and crafts. The fest has really grown over the years, and this year saw bright sunshine and warm temps for a nice outing before the State Fair finally brings in the nippy weather next month.
Well, I don't really need much of an excuse to visit Fernandina Beach, one of my favorite places, so when my sister noticed that there was an Amelia Island comics, steampunk, gaming and anime convention, , I decided to check it out.
Compared to the Charlotte Heroes Convention, Ameliacon was quite small. There was one exhibit hall, in the park on Atlantic Avenue which houses the municipal swimming pool, with gaming and presentation events in the town womens' center behind the park. It seemed to me also that the convention focus was definitely more on gaming, costuming and cosplay than on comic books, though there were some authors and artists there.
I certainly felt out of the loop on some issues! Magna/Anime character design generally hurts my eyes, so I was pretty clueless about one of the properties that seemed to be a very big thing Attack on Titan. There were a number of costumers basing their characters on that. I was also completely in the dark about what is apparently a very popular podcast Welcome to Night Vale, something the contest winning cosplayers based their presentation on.
I missed the morning presentation on Steampunk, having somehow convinced myself that it was in the afternoon, but did catch an interesting presentation by Joshua Johnson on doing video special effects on, basically, zero budget.
The audio for the presentations was the most problematic facet of the convention. I got the impression from listening to one of the organizers talk during the costume contest that someone had promised the convention a PA system and then left them totally in the lurch. I could follow ok during the effects presentaion, and parts of the Marvel/DC artist's presentation, but I gave up during the Homestruck panel where the panel were all using their indoor voices, and where I was only sitting in to try to figure out what Homestruck actually was anyway.
The costumers were out full force in the exhibit hall, and then at the closing costume/cosplay contest.
During the costume contest, it was announced that the convention would be shifting out of the fall and into February, so there will be no Ameliacon 2015. The next will be Ameliacon 2016 though they did announce a sequence of local get-togethers in advance of that. I certainly enjoyed myself -- I don't know that I would have driven that far for a convention of that size in a place I didn't have other motives to visit, but in the event, it was a nice trip.
What A Field Day For The Heat
If you're the Beach Boys 50th Anniversary Reunion Tour with Brian Wilson to keep Mike Love in check, Mike Love to keep Brian Wilson on an even keel and the second most important catalog in rock history, you can open with the howitzers, drop back to hand grenades and finish with tactical nukes. Otherwise, you'd probably best stick with the standard rock act strategy of opening with small arms, dropping back to firecrackers and closing with the big guns -- which Crosby, Stills & Nash more or less did at the Township on Wednesday night.
The trio kicked the show off with "Carry On", and the signature tight (detractors say "painful") harmonies were spot on in a pretty decent sound mix:
They then moved fairly quickly to "Marakesh Express"
and "Just A Song Before I Go"
Inasmuch as there was a front man for the group, David Crosby took the role. He alluded briefly to his famously self destructive ways back in the day, and did most of the commentary and introductions. He seemed a bit froggy when speaking, but nailed all of his leads, sometimes with vocals of surprising power. Stephen Stills was vocally in worse shape. I don't know if it was due to being 69 years old, or if he just blew out his voice over the course of the tour, but it was very noticable on his solo leads -- not enough to spoil the enjoyment, but definitely there. Somehow his harmonies were still pure though. Graham Nash was the most retiring presence on stage, and didn't seem to have a lot to say.
During the "firecracker" portion of the show, CSN did several new tunes, both as a group and as three solo artists. I thought the best of these was a lament for the Tibetian monks who have set themselves on fire protesting Chinese rule of that mountain land.
The way they approached the solo and new material was a bit odd as often the two who were not involved with a song would leave the stage. It was certainly a reminder that CSN is as much three people showing up together as it is an organic group. While it gave each man a time to shine, I would have preferred the solo songs to be presented in group arrangements as was done very effectively with Still's famous ode to carnal convenience:
And with the exploration of Stills's previous membership in Buffalo Springfield:
The show closed with a meditation on education:
Big guns conspicuously silent: "Suite: Judy Blue Eyes", "Ohio", "Woodstock" and Neil Young.
Certainly a great show.
(Would have posted this last night, but was having a terrible time getting the video uploaded. I will swap out the low-res for high when I finally get it transferred).