Columbia Closings   What's not in Columbia anymore

OK, perhaps it is a cheat to do a closing on an annual event, and doing this many pictures is certainly way into overkill territory, but I do like the Fair, and I really like neon! Some of the night pictures came out really well, some are just so-so -- the closing-cam is a circa 2001 model that is definitely not meant for anything like night available-light photography but the results are interesting (to me at any rate).

Signs of the times, I suppose, but I didn't see the video game tent anywere back in the midway this year. This may be an artifact of the new(ish) operator. I think in the old days it was Deggler, then Conklin and now American Amusements or something like that. Also, no freakshow of any kind. The had kinder-gentler freak shows (ie, no actual "freaks": "Zoma, the jungle boy!") as late as the 1980s. And I think it's been many years since there was one, but it just occurred to me this year that I hadn't seen the Bingo tent either.

These first shots are from 22 September when I took two photos down to the Cantey building to enter them in the art show. (I thought there were better than some of the stuff that got included, but in the event, both were "juried out" of the show -- oh well!). At this point basically nothing is set up except the permanent buildings (and the sky ride).

The day shots were actually taken on 19 October, after the night shots, but it seems more normal to include them here first since 'day' precedes 'night'.

These night shots were taken on 10 October from about 9pm to about closing time at 11pm. The handwriting computer has been there for my entire life (as far as I can remember anyway!) I don't think they even make the pretense that it's a 'real' computer anymore, (in the beginning, it did look very futuristic and impressive).

These final shots come from Monday 20 October when I went back to the Cantey building to pick up the photos. Almost the entire midway was already gone -- those guys work fast!

UPDATE 14 July 2009: If you enjoyed this post, you can buy products printed with some of these images at the Columbia Closings web store.

How can I convey just how much of a *BIG*DEAL* the Tricentennial was for us in 1970? Well, let's just say that it was a much bigger event in our lives than the Bicentennial was in 1976. (And if you don't know what the Bicentennial was, you're a whippersnapper, and there's no helping you). If you were in Third Grade in 1970, as I was, along with the rest of my classmates at Satchel Ford Elementary in Mrs. Anderson's homeroom, the Tricentennial was a good part of your year.

Not only did we learn South Carolina history tidbits in school all year, but there were constant references on TV, and futuristic geodesic dome museums built downtown (Senate Street?) with all kind of historic artifacts. It was such a big deal that we were all mad when the Weekly Reader did a story on California's Bicentennial and didn't mention our Tricentennial at all.

But the biggest thing about the Tricentennial at school and even at family gatherings with cousins was the Tricentennial songs. We knew all of them by heart, and sang them constantly that year.

The songs were all composed by music teacher Nelle McMaster Sprott (with some lyrics borrowed with permission from the State's Poet Laureate, Archibald Rutledge) and seem to have been discovered by the Tricentennial Commission almost by accident. If it was an accident, it was a happy one, and an album of the songs was pressed by the Tricentennial Commission and sent to all the state's public schools (and was available for home purchase, along with sheet music for all the songs). I can hardly overstate how ubiquitous and well-loved this album was in 1970. You can quibble about a few lyric choices like "come and feel the pain" in Carolina Sunshine (though the intent is clear), but I think the album still stands up very well today.

For some reason though, the album and songs were orphaned after the Tricentennial. I suppose the Tricentennial Commission disbanded, and that might be the reason, but for whatever cause, the album was never re-issued even on LP much less as remastered for CD. That means what I am able to present here was recorded from a 39 year old LP in all its scratchy glory, but when you set the Way-Bac Machine to 1970 and put yourselves in the shoes of those third graders again, can you honestly say you don't agree with:

We are good Sandlappers,
Yes we're good Sandlappers.
And we're mighty proud to say --
That we live,
Yes we live,
In the very finest state of the USA

I know I can't.

1) Sandlappers
2) Come With Me
3) Sunny Yellow Jessamine
4) Indian Ghosts
5) Country Things
6) Carolina Sunshine
7) A Carolina Wren
8) We Belonged to the Land
9) Someting To Sing About
10) Stand Tall for South Carolina

[NOTE: I have replaced the full versions of the songs above with 30 second clips. I have heard from Mrs. Sprott's granddaughter that she is working on a web-site dedicated to her grandmother. When it's up, I will link it here!]

UPDATE 9 November 2012: Here's some interesting information on the Charleston, Columbia & Greenville Tricentennial buildings.

UPDATE 18 February 2020: I have been remiss in not noting the November 2017 passing of Mrs. Sprott. She certainly brought music and joy into the lives of many people. Here is her obiturary.

Also, as I said above, I had replaced the full versions of the Tricentennial songs with thirty second clips at the request of Mrs. Sprott's granddaughter. That made sense in the days before everything had been uploaded to youtube, but currently the songs are already widely available, so I think it no longer makes sense to not have them here. Thus, I am embedding each song, from youtube (where they were uploaded by someone else, not me) below:

We Are Good Sandlappers:

Come With Me:

Sunny Yellow Jessamine:

Indian Ghosts:

Country Things:

Carolina Sunshine:

A Carolina Wren:

We Belonged To The Land:

Something To Sing About:

Stand Tall For South Carolina:

The Whole Album: